"The gallery was born from the desire to compare different entities, but complementary, elements that complement each other only when they have the potential to move, to interact with each other. This constant comparison of opposites is evident when we look at the mysterious white path on the dark floor (where it will lead?) Which is reflected in his black antagonist on the white sky. The continuous flow of the elements that move in space sinuous, indicates how the material will break free from the rigidity of the stereometric rooms, traversed, and then breaking them riabbracciarle again, evoking the eternal game of love hate. The name of the gallery, was a key element in the composition of elements and, especially number 69. This is a number emisimmetrico graphically, similar to the Taoist symbol of yin and yang or the astrological fish. The symbolism is very wide: the alternation of day and night, chasing the white black, relentlessly, until the next cycle, the good and evil in their eternal struggle, the male and female in their embrace of love . This is the Civic Gallery 69, the handles which incorporate the logo to the colors that alternate rhythmically in the vertical and horizontal surfaces to furniture that communicate with each other in terms of two colors."
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